Enhancer, exciter and tube amplifier - what is in common?
An exciter (also called Exciter), also called harmonic exciter, psychoacoustic processor, enhancer and acoustic aural exciter, is a processing device used to harmoniously synthesize high-frequency signals using thin harmonic distortion.…

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Istria Deep Purple
In March 1968, a group composed of Richie Blackmore - lead guitar, John Lord - organ, backing vocals, Rod Evans - vocals, Nikki Simper - bass, backing vocals, Ian Pace…

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SHUGEYS AND NOISE AROUND HIM
Shugeyz is a genre of music whose exact description will not be found. In order to understand approximately what is at stake, you can imagine a distant song, the words…

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Saturation point
I don’t know how objective my subjective pessimism is, but the ghost of a certain decline has been stubbornly seeing me for the last few years. Atrophy of musical perception?…

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large hall

Music perception

The singing voice is the most subtle musical instrument. A large degree of emotional impact is explained by the fact that both aesthetic and semantic information affect a person’s mind and feelings, the latter being distinguished, as a rule, also by a high artistic value, if outstanding poetic works are chosen for it.
The physical data of singing voices include, first of all, high-altitude (frequency) and dynamic ranges. The altitude range is usually less than two octaves, and dynamic – 35 dB. The timbre properties of a singing voice are determined by the composition and intensity of the overtones. According to the frequency range, there are three main groups of female voices, three – male and two – children’s.
Voice type Frequency range, Hz
Soprano 262 … 1318
Mezzo-soprano 220 … 1048
The contralto 175 … 784
Tenor 131 … 587 Continue reading

PHARAOH - “REDЯUM (DULLBOY EP)”
This is a dirty, uncompromising and aggressive sound with a constantly pressing narrative, and for some reason it is precisely such compositions that succeed Gleb best. The last year's PHARAOH…

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About the dangers of working in "star" teams
Many musicians who have never worked in the accompanying compositions of national pop stars naively believe that for the musician this is an undoubted success, contributing to further professional and…

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About the dangers of working in "star" teams
Many musicians who have never worked in the accompanying compositions of national pop stars naively believe that for the musician this is an undoubted success, contributing to further professional and…

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