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Musical career
It’s no secret that a contract between a band (performer) and a record label is a wedding ring for a long time. The problem often lies in the fact that not every performer is able to figure out what is actually written in the contract. There are too many points, the language is difficult and boring.
Cindy Lazzari, a lawyer specializing in the music industry, says: “When people bring me contracts that offer labels to them and start reading them with me, they are just overwhelmed:” We were going to sign this because many people do that, “they say these young musicians. Often they sign all the conditions and then complain all their life. ” Continue reading
Basics of psychoacoustics
The task of the sound engineer, together with the composer and performer, is to create a sound image and transfer it to the listener with the help of sound recording, sound amplification, broadcasting, soundtrack of cinema and television, etc.
Various directions of modern acoustics are involved in the problems of origin, transmission and perception of sounds, one of which is musical acoustics, which studies the creation of musical sounds (acoustics of musical instruments, acoustics of speech and singing, electroacoustics); transmission of sounds (architectural acoustics, sound recording, amplification and broadcasting, etc.) and sound perception (psychoacoustics – acoustics of hearing). Continue reading
Hits are born at home
The problem of learning is one of the most important, but, unfortunately, the least lit, which often leads to deplorable results in terms of creative growth: without setting the proper basis at the very beginning, it will not be easy to get on the right track. The first thing you need to decide is how seriously do you plan to master musical science. If the case is limited to the execution of simple melodies, then, in fact, any device will do – regardless of the type of mechanics and the number of octaves. But if your intentions are more solid, then this is completely different. In such a situation, an instrument with 88 keys (7 octaves) of “heavy” hammer mechanics is necessary, which, as far as tactile sensations are concerned, is as close as possible to a real piano one. Continue reading
